{"id":17565,"date":"2025-05-13T07:00:20","date_gmt":"2025-05-13T13:00:20","guid":{"rendered":"https:\/\/thovanyenson.com\/?p=17565"},"modified":"2025-05-11T08:35:24","modified_gmt":"2025-05-11T14:35:24","slug":"ai-nhan-xet-ve-mot-bai-tho-van-xuoi","status":"publish","type":"post","link":"https:\/\/thovanyenson.com\/?p=17565","title":{"rendered":"AI nh\u1eadn x\u00e9t v\u1ec1 m\u1ed9t b\u00e0i th\u01a1 v\u0103n xu\u00f4i"},"content":{"rendered":"

M\u1eddi \u0111\u1ecdc b\u00e0i th\u01a1, xin b\u1ea5m v\u00e0o t\u1ef1a \u0111\u1ec1<\/strong><\/p>\n

<\/p>\n

T\u01b0\u1edfng Ch\u1ec9 L\u00e0 K\u00fd \u1ee8c<\/a><\/strong>
\n<\/br><\/p>\n

Ph\u00e2n t\u00edch v\u0103n h\u1ecdc<\/strong><\/p>\n

B\u00e0i th\u01a1 v\u0103n xu\u00f4i “T\u01b0\u1edfng Ch\u1ec9 L\u00e0 K\u00fd \u1ee8c” l\u00e0 m\u1ed9t b\u1ee9c tranh ho\u00e0i ni\u1ec7m \u0111\u01b0\u1ee3c k\u1ec3 b\u1eb1ng ng\u00f4n ng\u1eef m\u1ec1m m\u1ea1i, pha ch\u00fat d\u00ed d\u1ecfm, ch\u00fat \u0111au \u0111\u00e1u bu\u1ed3n c\u1ee7a m\u1ed9t ng\u01b0\u1eddi \u0111\u00e0n \u00f4ng h\u1ed3i t\u01b0\u1edfng v\u1ec1 m\u1ed9t m\u1ed1i t\u00ecnh th\u1eddi ni\u00ean thi\u1ebfu \u2013 m\u1ed9t m\u1ed1i quan h\u1ec7 m\u01a1 h\u1ed3 gi\u1eefa “ch\u00fa” v\u00e0 “c\u00f4 nh\u1ecf”, gi\u1eefa th\u1ef1c v\u00e0 m\u1ed9ng, gi\u1eefa hi\u1ec7n t\u1ea1i v\u00e0 qu\u00e1 kh\u1ee9. D\u01b0\u1edbi \u0111\u00e2y l\u00e0 m\u1ed9t ph\u00e2n t\u00edch chi ti\u1ebft theo h\u00ecnh th\u1ee9c v\u0103n xu\u00f4i:
\n <\/p>\n

1. Kh\u00f4ng gian v\u00e0 th\u1eddi gian \u2013 m\u1ed9ng v\u00e0 th\u1ef1c h\u00f2a quy\u1ec7n<\/strong><\/p>\n

B\u00e0i th\u01a1 m\u1edf ra trong kh\u00f4ng gian c\u1ee7a m\u1ed9t th\u1eddi \u0111\u00e3 r\u1ea5t xa \u2013 “thu\u1edf kh\u00f4ng c\u00f3 qu\u00e2n”, c\u00e2u n\u00f3i \u0111\u00f9a thay cho binh ch\u1ee7ng Kh\u00f4ng Qu\u00e2n \u1edf th\u1eddi trai tr\u1ebb c\u1ee7a ng\u01b0\u1eddi k\u1ec3. Th\u1eddi gian l\u00fac \u0111\u00f3 \u0111\u01b0\u1ee3c mi\u00eau t\u1ea3 b\u1eb1ng h\u00ecnh \u1ea3nh r\u1ea5t t\u1ef1 do, ph\u00f3ng kho\u00e1ng: \u201c\u0111\u1ea7u th\u01b0\u1eddng ng\u00e0y \u0111\u1ed9i tr\u1eddi, ch\u00e2n v\u1eabn \u0111\u1ea1p m\u00e2y bay\u201d. C\u00e1ch d\u00f9ng t\u1eeb n\u00e0y v\u1eeba h\u00e0i h\u01b0\u1edbc, v\u1eeba g\u1ee3i ch\u1ea5t l\u00e3ng t\u1eed.<\/p>\n

Nh\u01b0ng th\u1eddi gian trong b\u00e0i kh\u00f4ng c\u00f3 gi\u1edbi h\u1ea1n n\u00e0o m\u00e0 nh\u01b0 m\u1ed9t d\u00f2ng ch\u1ea3y ng\u01b0\u1ee3c, \u0111i t\u1eeb hi\u1ec7n t\u1ea1i \u2013 m\u1ed9t ng\u01b0\u1eddi \u0111\u00e0n \u00f4ng trung ni\u00ean ng\u1ed3i h\u00fat thu\u1ed1c, kho\u00e1c \u00e1o da trong l\u1ea1nh gi\u00e1 c\u1ee7a m\u1ed9t n\u01a1i xa x\u1ee9 \u2013 tr\u1edf l\u1ea1i qu\u00e1 kh\u1ee9 v\u1edbi nh\u1eefng h\u1ed3i \u1ee9c chan ch\u1ee9a y\u00eau th\u01b0\u01a1ng. \u0110\u00f3 l\u00e0 l\u1ed1i k\u1ec3 \u0111\u1ea7y ch\u1ea5t ho\u00e0i ni\u1ec7m, \u0111\u1eadm \u0111\u1eb7c t\u00e2m tr\u1ea1ng, v\u00e0 \u0111\u1ea7y h\u01a1i th\u1edf c\u1ee7a m\u1ed9t ng\u01b0\u1eddi tha h\u01b0\u01a1ng.<\/p>\n

2. C\u00f4 b\u00e9 \u2013 h\u00ecnh \u1ea3nh c\u1ee7a tu\u1ed5i th\u01a1, c\u1ee7a t\u00ecnh c\u1ea3m trong s\u00e1ng<\/strong><\/p>\n

H\u00ecnh t\u01b0\u1ee3ng c\u00f4 b\u00e9 hi\u1ec7n l\u00ean qua c\u00e1i nh\u00ecn tr\u00ecu m\u1ebfn, y\u00eau th\u01b0\u01a1ng v\u00e0 c\u00f3 ph\u1ea7n b\u1ea5t l\u1ef1c c\u1ee7a ng\u01b0\u1eddi k\u1ec3 chuy\u1ec7n. C\u00f4 nh\u1ecf c\u00f3 “m\u1eaft to tr\u00f2n \u0111en lay l\u00e1y”, “c\u00e1i m\u1eb7t ng\u00e2y th\u01a1”, “c\u00e1i xo\u00e1y tr\u01b0\u1edbc tr\u00e1n”, l\u00e0 hi\u1ec7n th\u00e2n c\u1ee7a s\u1ef1 h\u1ed3n nhi\u00ean, tinh ngh\u1ecbch, \u0111\u00f4i khi c\u0169ng nh\u00f5ng nh\u1ebdo, ngang ng\u1ea1nh \u2013 r\u1ea5t th\u1eadt v\u00e0 r\u1ea5t s\u1ed1ng \u0111\u1ed9ng.<\/p>\n

Nh\u1eefng chi ti\u1ebft nh\u01b0 “gi\u1ea3 b\u1ed9 l\u00e0m ng\u01a1”, “gi\u1eadm ch\u00e2n th\u00ecnh th\u1ecbch”, hay “li\u1ec7ng v\u1ecf s\u00f2 v\u00e0o ch\u00e2n ch\u00fa” khi\u1ebfn c\u00f4 nh\u1ecf hi\u1ec7n l\u00ean nh\u01b0 m\u1ed9t nh\u00e2n v\u1eadt r\u1ea5t \u0111\u1eddi th\u01b0\u1eddng nh\u01b0ng c\u0169ng r\u1ea5t \u0111\u00e1ng y\u00eau. T\u00ecnh c\u1ea3m gi\u1eefa hai ng\u01b0\u1eddi l\u00fac \u1ea5y ch\u01b0a g\u1ecdi t\u00ean \u0111\u01b0\u1ee3c \u2013 l\u00e0 y\u00eau, l\u00e0 th\u01b0\u01a1ng, l\u00e0 ch\u00fa ch\u00e1u \u2013 nh\u01b0ng r\u00f5 r\u00e0ng c\u00f3 m\u1ed9t s\u1ef1 g\u1eafn b\u00f3 m\u01a1 h\u1ed3 v\u00e0 s\u00e2u s\u1eafc.<\/p>\n

3. Nh\u1eefng m\u1ea5t m\u00e1t v\u00e0 kho\u1ea3ng c\u00e1ch \u2013 chi\u1ebfn tranh v\u00e0 th\u1eddi gian<\/strong><\/p>\n

Chi\u1ebfn tranh \u0111\u00e3 chen ngang v\u00e0o d\u00f2ng ch\u1ea3y t\u1ef1 nhi\u00ean c\u1ee7a t\u00ecnh c\u1ea3m. Ng\u01b0\u1eddi k\u1ec3 r\u1eddi xa qu\u00ea nh\u00e0, r\u1eddi xa c\u00f4 nh\u1ecf. Kho\u1ea3ng c\u00e1ch \u0111\u1ecba l\u00fd v\u00e0 th\u1eddi gian k\u00e9o d\u00e0i, l\u00e0m t\u00ecnh c\u1ea3m \u0111\u00f3 d\u1ea7n b\u1ecb \u0111\u1eb7t v\u00e0o ng\u0103n k\u00fd \u1ee9c. Nh\u01b0ng kh\u00f4ng v\u00ec th\u1ebf m\u00e0 nh\u1ea1t phai. C\u00e0ng xa, k\u00fd \u1ee9c l\u1ea1i c\u00e0ng hi\u1ec7n r\u00f5, c\u00e0ng th\u00f4i th\u00fac.<\/p>\n

Khi “binh l\u1eeda tr\u00e0n lan”, khi “qu\u00e2n v\u00e0 d\u00e2n tan \u0111\u00e0n s\u1ea9y ngh\u00e9”, ng\u01b0\u1eddi \u0111\u00e0n \u00f4ng \u0111\u00e0nh r\u1eddi b\u1ecf t\u1ea5t c\u1ea3. \u0110\u1ebfn l\u00fac th\u1eddi gian ph\u1ee7 b\u1ee5i, c\u00e1i t\u00ean c\u00f4 nh\u1ecf v\u1eabn khi\u1ebfn l\u00f2ng ng\u01b0\u1eddi k\u1ec3 \u201cb\u1ed3i h\u1ed3i\u201d, \u201cngh\u0129 l\u1ea1i chuy\u1ec7n ng\u00e0y x\u01b0a\u201d, h\u00fat thu\u1ed1c \u0111\u1ec3 g\u1ee3i nh\u1edb v\u00e0 \u0111\u1ec3 t\u1ef1 h\u1ecfi \u201cm\u00ecnh c\u00f3 bao gi\u1edd g\u1eb7p l\u1ea1i nh\u1ecf \u01a1i?\u201d<\/p>\n

4. Facebook\u2013 bi\u1ec3u t\u01b0\u1ee3ng c\u1ee7a kh\u00e1t khao n\u00edu gi\u1eef qu\u00e1 kh\u1ee9<\/strong><\/p>\n

Vi\u1ec7c \u201cl\u1ee5c t\u00ecm FaceBook\u201d nghe v\u1eeba bu\u1ed3n c\u01b0\u1eddi v\u1eeba chua ch\u00e1t. \u0110\u00f3 l\u00e0 bi\u1ec3u t\u01b0\u1ee3ng cho m\u1ed9t th\u1eddi \u0111\u1ea1i kh\u00e1c \u2013 n\u01a1i ng\u01b0\u1eddi ta t\u00ecm nhau qua s\u00f3ng \u1ea3o, khi k\u00fd \u1ee9c th\u1eadt \u0111\u00e3 qu\u00e1 xa v\u1eddi. Ng\u01b0\u1eddi k\u1ec3 kh\u00f4ng ng\u1ea1i th\u1eeba nh\u1eadn m\u00ecnh “t\u00e0o lao”, “v\u1ea5t va v\u1ea5t v\u01b0\u1edfng” v\u00ec v\u1eabn hy v\u1ecdng t\u00ecm l\u1ea1i m\u1ed9t b\u00f3ng d\u00e1ng x\u01b0a c\u0169 \u2013 d\u00f9 bi\u1ebft c\u00f3 th\u1ec3 l\u00e0 \u1ea3o t\u01b0\u1edfng.<\/p>\n

5. K\u1ebft \u2013 k\u00fd \u1ee9c l\u00e0 \u0111i\u1ec1u duy nh\u1ea5t c\u00f2n l\u1ea1i<\/strong><\/p>\n

Cu\u1ed1i c\u00f9ng, khi ng\u01b0\u1eddi k\u1ec3 bi\u1ebft \u0111\u01b0\u1ee3c th\u00f4ng tin v\u1ec1 c\u00f4 nh\u1ecf, \u0111\u00f3 l\u1ea1i l\u00e0 m\u1ed9t c\u00e2u chuy\u1ec7n bu\u1ed3n: “ch\u1ed3ng \u0111\u00e3 ra \u0111i”, “m\u1ed7i ng\u01b0\u1eddi m\u1ed9t ng\u1ea3”, v\u00e0 c\u00f4 nh\u1ecf \u201cb\u01a1 v\u01a1\u201d trong m\u1ed9t \u0111\u1ea5t n\u01b0\u1edbc tr\u1edf th\u00e0nh xa l\u1ea1. D\u00f9 ng\u01b0\u1eddi k\u1ec3 ch\u1eb3ng th\u1ec3 gi\u00fap g\u00ec, v\u00ec c\u00e1ch nhau c\u1ea3 \u0111\u1ea1i d\u01b0\u01a1ng, nh\u01b0ng nh\u1eefng l\u1eddi c\u1ea7u ch\u00fac ch\u00e2n th\u00e0nh cu\u1ed1i c\u00f9ng \u2013 \u201cch\u1ec9 c\u00f3 th\u1ec3 c\u1ea7u xin b\u00ecnh an v\u00e0 may m\u1eafn \u0111\u1ebfn v\u1edbi nh\u1ecf\u201d \u2013 ch\u00ednh l\u00e0 s\u1ef1 n\u00e2ng niu c\u1ee7a m\u1ed9t tr\u00e1i tim c\u00f2n th\u1ed5n th\u1ee9c v\u00ec nh\u1eefng g\u00ec \u0111\u00e3 m\u1ea5t.<\/p>\n

6. Gi\u1ecdng v\u0103n\u2013 tr\u1ea7m l\u1eafng, m\u1ed9c m\u1ea1c m\u00e0 lay \u0111\u1ed9ng<\/strong><\/p>\n

To\u00e0n b\u00e0i mang m\u1ed9t gi\u1ecdng k\u1ec3 g\u1ea7n g\u0169i, t\u1ef1 nhi\u00ean nh\u01b0 l\u1eddi t\u1ef1 s\u1ef1 trong nh\u1eadt k\u00fd. Ng\u00f4n ng\u1eef \u0111\u1eddi th\u01b0\u1eddng, kh\u00f4ng g\u1ecdt gi\u0169a nh\u01b0ng l\u1ea1i c\u00f3 s\u1ee9c truy\u1ec1n c\u1ea3m s\u00e2u s\u1eafc. S\u1ef1 pha tr\u1ed9n gi\u1eefa ti\u1ebfng c\u01b0\u1eddi nh\u1eb9 nh\u00e0ng v\u00e0 n\u1ed7i bu\u1ed3n th\u0103m th\u1eb3m khi\u1ebfn ng\u01b0\u1eddi \u0111\u1ecdc kh\u00f4ng kh\u1ecfi ch\u1ea1nh l\u00f2ng.<\/p>\n

K\u1ebft lu\u1eadn<\/strong><\/p>\n

“T\u01b0\u1edfng Ch\u1ec9 L\u00e0 K\u00fd \u1ee8c”<\/strong> kh\u00f4ng ch\u1ec9 l\u00e0 m\u1ed9t b\u00e0i th\u01a1 v\u0103n xu\u00f4i. \u0110\u00f3 l\u00e0 m\u1ed9t l\u00e1t c\u1eaft tinh t\u1ebf c\u1ee7a k\u00fd \u1ee9c, c\u1ee7a t\u00ecnh ng\u01b0\u1eddi, t\u00ecnh qu\u00ea, v\u00e0 t\u00ecnh y\u00eau th\u1ea7m l\u1eb7ng. N\u00f3 cho th\u1ea5y r\u1eb1ng c\u00f3 nh\u1eefng m\u1ed1i quan h\u1ec7 kh\u00f4ng g\u1ecdi th\u00e0nh t\u00ean, nh\u01b0ng t\u1ed3n t\u1ea1i dai d\u1eb3ng trong l\u00f2ng ng\u01b0\u1eddi. Nh\u1eefng k\u00fd \u1ee9c t\u01b0\u1edfng nh\u01b0 v\u1ee5n v\u1eb7t \u1ea5y l\u1ea1i l\u00e0 \u0111i\u1ec1u n\u00e2ng \u0111\u1ee1 ta \u0111i qua nh\u1eefng m\u00f9a thu s\u1eafp t\u00e0n trong cu\u1ed9c \u0111\u1eddi.
\n <\/br>
\nD\u01b0\u1edbi \u0111\u00e2y l\u00e0 b\u00e0i ngh\u1ecb lu\u1eadn v\u0103n h\u1ecdc ho\u00e0n ch\u1ec9nh d\u1ef1a tr\u00ean t\u00e1c ph\u1ea9m “T\u01b0\u1edfng Ch\u1ec9 L\u00e0 K\u00fd \u1ee8c”<\/strong>, ph\u00f9 h\u1ee3p \u0111\u1ec3 s\u1eed d\u1ee5ng trong m\u00f4i tr\u01b0\u1eddng h\u1ecdc thu\u1eadt, b\u00e1o ch\u00ed ho\u1eb7c m\u1ea1ng x\u00e3 h\u1ed9i:<\/em><\/strong><\/p>\n

K\u00fd \u1ee9c \u2013 n\u01a1i th\u1eddi gian kh\u00f4ng th\u1ec3 ch\u1ea1m t\u1edbi<\/strong><\/p>\n

Ph\u00e2n t\u00edch b\u00e0i th\u01a1 v\u0103n xu\u00f4i \u201cT\u01b0\u1edfng Ch\u1ec9 L\u00e0 K\u00fd \u1ee8c\u201d
\nC\u00f3 nh\u1eefng c\u00e2u chuy\u1ec7n, d\u00f9 \u0111\u00e3 ph\u1ee7 b\u1ee5i th\u1eddi gian, v\u1eabn \u00e2m \u1ec9 ch\u00e1y trong t\u00e2m tr\u00ed ng\u01b0\u1eddi k\u1ec3. C\u00f3 nh\u1eefng k\u00fd \u1ee9c, d\u00f9 t\u01b0\u1edfng \u0111\u00e3 ng\u1ee7 qu\u00ean, v\u1eabn m\u1ed9t ng\u00e0y tr\u1edf d\u1eady gi\u1eefa kho\u1ea3ng tr\u1eddi \u0111\u1ea7y l\u00e1 r\u01a1i, l\u00e0n gi\u00f3 se l\u1ea1nh, v\u00e0 m\u1ed9t \u0111i\u1ebfu thu\u1ed1c l\u1eb7ng l\u1ebd gi\u1eefa s\u00e2n sau. \u201cT\u01b0\u1edfng Ch\u1ec9 L\u00e0 K\u00fd \u1ee8c\u201d l\u00e0 m\u1ed9t t\u00e1c ph\u1ea9m th\u01a1 v\u0103n xu\u00f4i nh\u01b0 th\u1ebf \u2013 m\u1ed9t kh\u00fac \u0111\u1ed9c tho\u1ea1i c\u1ea3m x\u00fac th\u1ea7m th\u00ec, d\u1ecbu d\u00e0ng m\u00e0 s\u00e2u l\u1eafng, g\u1ee3i nh\u1eafc ng\u01b0\u1eddi \u0111\u1ecdc v\u1ec1 nh\u1eefng m\u1ed1i quan h\u1ec7 kh\u00f4ng t\u00ean, nh\u1eefng t\u00ecnh c\u1ea3m ch\u01b0a tr\u1ecdn v\u1eb9n v\u00e0 s\u1ee9c m\u1ea1nh l\u1eb7ng th\u1ea7m c\u1ee7a h\u1ed3i \u1ee9c.<\/p>\n

1. M\u1ed9t kh\u00fac nh\u1ea1c x\u01b0a gi\u1eefa d\u00f2ng \u0111\u1eddi hi\u1ec7n t\u1ea1i<\/strong><\/p>\n

T\u00e1c ph\u1ea9m m\u1edf \u0111\u1ea7u b\u1eb1ng s\u1ef1 t\u1ef1 s\u1ef1 nh\u1eb9 nh\u00e0ng c\u1ee7a m\u1ed9t ng\u01b0\u1eddi \u0111\u00e0n \u00f4ng tu\u1ed5i trung ni\u00ean, gi\u1eefa m\u1ed9t bu\u1ed5i chi\u1ec1u l\u1ea1nh n\u01a1i x\u1ee9 ng\u01b0\u1eddi. Anh nh\u1edb v\u1ec1 m\u1ed9t thu\u1edf ni\u00ean thi\u1ebfu \u2013 c\u00e1i thu\u1edf \u201c\u0111\u1ea7u \u0111\u1ed9i tr\u1eddi, ch\u00e2n \u0111\u1ea1p m\u00e2y bay\u201d m\u1ed9t th\u1eddi Phi C\u00f4ng, khi ng\u00e0y ng\u00e0y ru\u1ed5i dong v\u1edbi kh\u00f4ng gian bao la, v\u1edbi tr\u1eddi m\u00e2y s\u00f4ng n\u00fai. H\u1ed3i \u1ee9c d\u1eabn d\u1eaft anh quay l\u1ea1i m\u1ed9t \u0111o\u1ea1n \u0111\u1eddi t\u01b0\u1edfng nh\u01b0 v\u1ee5n v\u1eb7t: m\u1ed9t l\u1ea7n gh\u00e9 nh\u00e0 b\u1ea1n, g\u1eb7p m\u1ed9t c\u00f4 b\u00e9 h\u1ed3n nhi\u00ean g\u1ecdi \u201cch\u00fa \u01a1i ch\u00fa\u201d. T\u1eeb \u0111\u00f3, m\u1ed9t m\u1ed1i d\u00e2y v\u00f4 h\u00ecnh d\u1ea7n h\u00ecnh th\u00e0nh \u2013 gi\u1eefa m\u1ed9t \u201cch\u00fa\u201d v\u00e0 m\u1ed9t \u201cc\u00f4 nh\u1ecf\u201d \u2013 kh\u00f4ng r\u00f5 l\u00e0 t\u00ecnh th\u00e2n, l\u00e0 th\u01b0\u01a1ng m\u1ebfn hay l\u00e0 th\u1ee9 t\u00ecnh c\u1ea3m l\u1eb7ng th\u1ea7m ch\u01b0a g\u1ecdi th\u00e0nh t\u00ean.<\/p>\n

T\u00e1c gi\u1ea3 kh\u00e9o l\u00e9o \u0111an xen gi\u1eefa hi\u1ec7n t\u1ea1i v\u00e0 qu\u00e1 kh\u1ee9, \u0111\u1ec3 th\u1ea5y r\u1eb1ng th\u1eddi gian v\u00e0 k\u1ef7 ni\u1ec7m kh\u00f4ng h\u1ec1 tr\u00f4i \u0111i m\u1ea5t m\u00e0 lu\u00f4n quanh qu\u1ea9n trong nh\u1eefng kho\u1ea3nh kh\u1eafc b\u1ea5t ch\u1ee3t. K\u00fd \u1ee9c trong t\u00e1c ph\u1ea9m kh\u00f4ng ph\u1ea3i l\u00e0 th\u1ee9 g\u1eafn v\u1edbi n\u0103m th\u00e1ng, m\u00e0 l\u00e0 \u0111i\u1ec1u g\u1eafn v\u1edbi c\u1ea3m x\u00fac \u2013 n\u01a1i th\u1eddi gian kh\u00f4ng th\u1ec3 ch\u1ea1m t\u1edbi.<\/p>\n

2. C\u00f4 nh\u1ecf \u2013 bi\u1ec3u t\u01b0\u1ee3ng c\u1ee7a tu\u1ed5i th\u01a1 v\u00e0 m\u1ed1i t\u00ecnh \u0111\u1ea7u m\u01a1 h\u1ed3<\/strong><\/p>\n

Nh\u00e2n v\u1eadt \u201cc\u00f4 nh\u1ecf\u201d hi\u1ec7n l\u00ean m\u1ed9t c\u00e1ch ch\u00e2n th\u1eadt, t\u1ef1 nhi\u00ean, \u0111\u1ea7y s\u1ed1ng \u0111\u1ed9ng: ngh\u1ecbch ng\u1ee3m, nh\u00f5ng nh\u1ebdo, nh\u01b0ng r\u1ea5t d\u1ec5 th\u01b0\u01a1ng. Nh\u1eefng h\u00e0nh \u0111\u1ed9ng nh\u01b0 \u201cgi\u1eadm ch\u00e2n th\u00ecnh th\u1ecbch\u201d, \u201cm\u00e8 nheo \u0111\u00f2i \u1eb5m\u201d, hay \u201cli\u1ec7ng v\u1ecf s\u00f2 v\u00e0o ch\u00e2n ch\u00fa\u201d \u0111\u1ec1u khi\u1ebfn ng\u01b0\u1eddi \u0111\u1ecdc b\u1eadt c\u01b0\u1eddi \u2013 kh\u00f4ng ph\u1ea3i v\u00ec h\u00e0i h\u01b0\u1edbc, m\u00e0 v\u00ec n\u00f3 th\u1eadt \u0111\u1ebfn \u0111\u1ed9 ai c\u0169ng t\u1eebng b\u1eaft g\u1eb7p trong \u0111\u1eddi. Qua \u00e1nh nh\u00ecn tr\u00ecu m\u1ebfn c\u1ee7a \u201cch\u00fa\u201d, c\u00f4 nh\u1ecf tr\u1edf th\u00e0nh bi\u1ec3u t\u01b0\u1ee3ng c\u1ee7a s\u1ef1 h\u1ed3n nhi\u00ean, c\u1ee7a m\u1ed9t thu\u1edf ng\u00e2y th\u01a1 kh\u00f4ng bao gi\u1edd quay l\u1ea1i.<\/p>\n

C\u00e1i t\u00ecnh c\u1ea3m gi\u1eefa hai ng\u01b0\u1eddi c\u0169ng \u0111\u1eb7c bi\u1ec7t. V\u1eabn g\u1ecdi l\u00e0 \u201cch\u00fa ch\u00e1u\u201d, v\u1eabn ch\u01b0a m\u1ed9t l\u1eddi y\u00eau, nh\u01b0ng t\u1eebng chi ti\u1ebft, t\u1eebng \u00e1nh m\u1eaft, t\u1eebng c\u1eed ch\u1ec9 \u2013 t\u1eeb \u00e1nh nh\u00ecn \u201clen l\u00e9n li\u1ebfc nh\u00ecn ch\u00fam ch\u00edm\u201d, \u0111\u1ebfn c\u00e1i gi\u1eadt chi\u1ebfc kh\u0103n qu\u00e0ng t\u00edm \u2013 \u0111\u1ec1u g\u1ee3i l\u00ean m\u1ed9t th\u1ee9 c\u1ea3m x\u00fac m\u01a1 h\u1ed3 nh\u01b0ng r\u00f5 r\u1ec7t: y\u00eau th\u01b0\u01a1ng, mong \u0111\u1ee3i, v\u00e0 \u0111\u00f4i ch\u00fat ghen tu\u00f4ng tr\u1ebb d\u1ea1i.
\n<\/p>\n

3. Chi\u1ebfn tranh v\u00e0 th\u1eddi gian \u2013 nh\u1eefng v\u1ebft c\u1eaft kh\u00f4ng th\u1ec3 h\u00e0n g\u1eafn<\/strong><\/p>\n

Khi chi\u1ebfn tranh tr\u00e0n t\u1edbi, m\u1ecdi th\u1ee9 b\u1ecb ng\u1eaft qu\u00e3ng. Ng\u01b0\u1eddi k\u1ec3 r\u1eddi b\u1ecf qu\u00ea nh\u00e0 trong bi th\u01b0\u01a1ng, nh\u1eefng bu\u1ed5i gh\u00e9 th\u0103m nh\u00e0 b\u1ea1n c\u0169ng kh\u00f4ng c\u00f2n, v\u00e0 c\u00f4 nh\u1ecf \u2013 nh\u01b0 m\u1ed9t ph\u1ea7n tu\u1ed5i th\u01a1 \u2013 b\u1ecb b\u1ecf l\u1ea1i ph\u00eda sau. C\u00e2u chuy\u1ec7n chuy\u1ec3n t\u1eeb s\u1ef1 h\u1ed3n nhi\u00ean sang n\u1ed7i x\u00f3t xa, l\u1eb7ng th\u1ea7m. Kho\u1ea3ng c\u00e1ch \u0111\u1ecba l\u00fd v\u00e0 th\u1eddi gian khi\u1ebfn m\u1ed1i t\u00ecnh thu\u1edf \u1ea5y kh\u00f4ng th\u1ec3 ti\u1ebfp di\u1ec5n, nh\u01b0ng n\u00f3 kh\u00f4ng h\u1ec1 phai nh\u1ea1t. Tr\u00e1i l\u1ea1i, c\u00e0ng xa, c\u00e0ng ray r\u1ee9t.<\/p>\n

Khi ng\u01b0\u1eddi k\u1ec3 \u201cng\u1ed3i h\u00fat thu\u1ed1c\u201d, \u201cl\u1ee5c t\u00ecm t\u00ean c\u00f4 nh\u1ecf tr\u00ean Facebook\u201d, khi nh\u1eefng d\u00f2ng t\u00e2m s\u1ef1 nh\u01b0 \u201csao qu\u00e1 t\u00e0o lao\u201d hay \u201cc\u00f3 bao gi\u1edd g\u1eb7p l\u1ea1i nh\u1ecf \u01a1i?\u201d xu\u1ea5t hi\u1ec7n \u2013 ng\u01b0\u1eddi \u0111\u1ecdc hi\u1ec3u r\u1eb1ng k\u00fd \u1ee9c kh\u00f4ng ph\u1ea3i \u0111\u1ec3 s\u1ed1ng l\u1ea1i, m\u00e0 \u0111\u1ec3 g\u1eb7m nh\u1ea5m, \u0111\u1ec3 an \u1ee7i m\u1ed9t tr\u00e1i tim \u0111\u00e3 tr\u1ea3i qua nhi\u1ec1u m\u1ea5t m\u00e1t.<\/p>\n

4. K\u1ebft th\u00fac \u2013 k\u00fd \u1ee9c v\u1eabn c\u00f2n, ng\u01b0\u1eddi x\u01b0a \u0111\u00e3 kh\u00e1c<\/strong><\/p>\n

C\u00e1i k\u1ebft c\u1ee7a t\u00e1c ph\u1ea9m kh\u00f4ng \u0111i theo l\u1ed1i m\u00f2n \u201cg\u1eb7p l\u1ea1i, \u0111o\u00e0n vi\u00ean, h\u1ea1nh ph\u00fac\u201d, m\u00e0 mang m\u00e0u s\u1eafc th\u1ef1c t\u1ebf \u0111\u1ea7y chua x\u00f3t: c\u00f4 nh\u1ecf \u201c\u0111\u00e3 c\u00f3 ch\u1ed3ng con\u201d, nh\u01b0ng r\u1ed3i \u201cm\u1ed7i ng\u01b0\u1eddi m\u1ed9t ng\u1ea3\u201d, b\u1ed7ng nhi\u00ean \u201cb\u01a1 v\u01a1\u201d tr\u00ean ch\u00ednh qu\u00ea h\u01b0\u01a1ng m\u00ecnh. Ng\u01b0\u1eddi k\u1ec3 d\u00f9 x\u00f3t th\u01b0\u01a1ng c\u0169ng ch\u1ec9 c\u00f3 th\u1ec3 \u1eadm \u1eeb nghe chuy\u1ec7n, v\u00ec \u201cc\u00e1ch nhau c\u1ea3 \u0111\u1ea1i d\u01b0\u01a1ng\u201d, \u201cgi\u00fap g\u00ec \u0111\u01b0\u1ee3c \u0111\u00e2u\u201d.<\/p>\n

Nh\u01b0ng ch\u00ednh trong s\u1ef1 b\u1ea5t l\u1ef1c \u1ea5y, ng\u01b0\u1eddi \u0111\u1ecdc m\u1edbi th\u1ea5y \u0111\u01b0\u1ee3c v\u1ebb \u0111\u1eb9p cao th\u01b0\u1ee3ng c\u1ee7a k\u00fd \u1ee9c: kh\u00f4ng \u0111\u00f2i h\u1ecfi, kh\u00f4ng toan t\u00ednh. Nh\u1eefng \u0111i\u1ec1u \u0111\u00e3 c\u0169, \u0111\u00e3 xa, v\u1eabn \u0111\u1ee7 s\u1ee9c n\u00e2ng \u0111\u1ee1 con ng\u01b0\u1eddi qua th\u00e1ng ng\u00e0y hi\u1ec7n t\u1ea1i. T\u00ecnh c\u1ea3m \u1ea5y, d\u00f9 kh\u00f4ng th\u00e0nh h\u00ecnh, v\u1eabn l\u00e0 \u0111i\u1ec1u gi\u00fap \u201cxanh \u0111o\u1ea1n \u0111\u01b0\u1eddng c\u00f3 nhi\u1ec1u l\u00e1 thu r\u01a1i\u201d.<\/p>\n

5. Ngh\u1ec7 thu\u1eadt k\u1ec3 chuy\u1ec7n \u2013 gi\u1ea3n d\u1ecb m\u00e0 tinh t\u1ebf<\/strong><\/p>\n

T\u00e1c ph\u1ea9m s\u1eed d\u1ee5ng gi\u1ecdng v\u0103n m\u1ed9c m\u1ea1c, g\u1ea7n g\u0169i, nh\u01b0 l\u1eddi t\u00e2m s\u1ef1. Ng\u00f4n ng\u1eef gi\u00e0u h\u00ecnh \u1ea3nh nh\u01b0ng kh\u00f4ng c\u1ea7u k\u1ef3; c\u00e1c \u0111o\u1ea1n h\u1ed3i \u1ee9c xen k\u1ebd hi\u1ec7n t\u1ea1i t\u1ea1o n\u00ean m\u1ed9t nh\u1ecbp k\u1ec3 nh\u1eb9 nh\u00e0ng m\u00e0 s\u00e2u l\u1eafng. D\u00f9 kh\u00f4ng c\u00f3 m\u1ed9t d\u00f2ng th\u01a1 l\u1ee5c b\u00e1t, ng\u0169 ng\u00f4n, nh\u01b0ng v\u1eabn c\u00f3 nh\u1ecbp \u0111i\u1ec7u, c\u00f3 v\u1ea7n, c\u00f3 b\u1ed1 c\u1ee5c r\u00f5 r\u00e0ng v\u00e0 ch\u1ea5t th\u01a1 trong t\u00e1c ph\u1ea9m to\u00e1t ra t\u1eeb m\u1ed9t c\u1ea3m x\u00fac ch\u00e2n th\u00e0nh, t\u1eeb n\u1ed7i c\u00f4 \u0111\u01a1n, t\u1eeb v\u1ebb \u0111\u1eb9p c\u1ee7a m\u1ed9t m\u1ed1i t\u00ecnh \u201cch\u01b0a t\u1eebng l\u00e0 t\u00ecnh\u201d nh\u01b0ng kh\u00f4ng h\u1ec1 ph\u00f4i pha. <\/p>\n

K\u1ebft lu\u1eadn: K\u00fd \u1ee9c kh\u00f4ng ch\u1ec9 l\u00e0 \u0111\u1ec3 nh\u1edb, m\u00e0 c\u00f2n \u0111\u1ec3 gi\u1eef l\u1ea5y ph\u1ea7n ng\u01b0\u1eddi \u0111\u00e3 m\u1ea5t<\/strong><\/p>\n

“T\u01b0\u1edfng Ch\u1ec9 L\u00e0 K\u00fd \u1ee8c” l\u00e0 m\u1ed9t t\u00e1c ph\u1ea9m nh\u1ecf, nh\u01b0ng mang s\u1ee9c m\u1ea1nh l\u1edbn \u2013 \u0111\u00e1nh th\u1ee9c trong ng\u01b0\u1eddi \u0111\u1ecdc nh\u1eefng \u0111i\u1ec1u t\u01b0\u1edfng \u0111\u00e3 ng\u1ee7 qu\u00ean: m\u1ed9t m\u1ed1i t\u00ecnh th\u1eddi tr\u1ebb, m\u1ed9t ng\u01b0\u1eddi th\u00e2n c\u0169, m\u1ed9t kho\u1ea3ng tr\u1eddi thanh xu\u00e2n, v\u00e0 m\u1ed9t h\u00ecnh b\u00f3ng kh\u00f4ng g\u1eb7p l\u1ea1i\u2026 Trong cu\u1ed9c s\u1ed1ng hi\u1ec7n \u0111\u1ea1i \u0111\u1ea7y v\u1ed9i v\u00e3, k\u00fd \u1ee9c \u1ea5y nh\u1eafc ta ch\u1eadm l\u1ea1i, \u0111\u1ec3 nh\u1edb, \u0111\u1ec3 th\u01b0\u01a1ng, \u0111\u1ec3 hi\u1ec3u r\u1eb1ng: c\u00f3 nh\u1eefng \u0111i\u1ec1u d\u00f9 kh\u00f4ng tr\u1edf th\u00e0nh hi\u1ec7n th\u1ef1c, v\u1eabn \u0111\u1ee7 s\u1ee9c s\u01b0\u1edfi \u1ea5m l\u00f2ng ng\u01b0\u1eddi su\u1ed1t c\u1ea3 cu\u1ed9c \u0111\u1eddi.
\n <\/br>
\nThe English translation of the full prose poem \u201cT\u01b0\u1edfng Ch\u1ec9 L\u00e0 K\u00fd \u1ee8c\u201d (\u201cJust a Memory, I Thought\u201d), rendered with care to preserve the original tone, flow, and subtle emotion. I’ve chosen a natural yet poetic English style, staying close to the Vietnamese nuance.
\n <\/strong><\/em><\/p>\n

Just a Memory, I Thought<\/strong><\/p>\n

Back when I was with Air Force (*), daily walk beneath the sky, my feet treading clouds, out in the morning rain and back with the evening breeze. It\u2019s hard to remember exactly when that was\u2014just that one day, I tagged along with my friend Chau to visit his house. Fate had its plans: a little girl sweetly called out, \u201cUncle! Uncle!\u201d without a second thought.<\/p>\n

She had an innocent face, big round eyes, dark and glistening. A cowlick at her forehead hinted at a mischievous spirit\u2014true to form.<\/p>\n

And somehow, I was charmed. Day after day, I returned. She was still wild, still headstrong\u2014but prone to sulking. Every time I forgot to bring candy, she\u2019d burst into tears, no warning at all.<\/p>\n

Sometimes I\u2019d pretend to ignore her, and she\u2019d stomp her feet in protest. Then, when no one paid her any mind, she\u2019d run off to play again\u2014such a little tomboy. All I could do was chuckle to myself.<\/p>\n

Once, I took her downtown. After walking around a bit, she got tired and started whining to be carried. I told her she was too big now\u2014too heavy. She sulked, stood in one spot, and refused to move. There was no rain, but her eyes glistened with tears. I panicked, spending the rest of the day trying to cheer her up.<\/p>\n

Another time, in the evening, I joined my friend and her for dinner\u2014sizzling scallops on Nguyen Tri Phuong Street. She slurped them down so cutely, I just sat there watching, smiling like a fool. Suddenly, she tossed a shell at my foot and told me that\u2019s what I get for teasing her. When her brother scolded her, she pouted and demanded to go home. I had to soothe her for what felt like forever. Truth be told, I wasn\u2019t brave at all\u2014always getting bullied by a little kid like her.<\/p>\n

Time passed slowly and steadily. She grew up, cradled in affection. Whenever I visited, it was still \u201cuncle and niece\u201d\u2014but the distance widened with the years\u2026<\/p>\n

Then spring came. That year, I couldn\u2019t go home for Tet. My friends are all gone, and the bachelor\u2019s quarters felt lonelier than ever. I wandered the streets alone on my Vespa, aimless, slow. After a while, I stopped by Chau\u2019s house to have a drink.<\/p>\n

There she was\u2014standing shyly by the door, looking around without really seeing. When I walked in, she pretended not to notice, sneaking glances with a shy smile. Suddenly, without warning, she snatched the purple scarf I\u2019d just taken off my neck\u2014just like that, in a dreamlike moment.<\/p>\n

But then war swept across the land. I rarely visited after that. When it finally ended\u2014bitterly, tragically\u2014soldiers and civilians scattered, and I left my homeland in pain. Years passed. Now and then, thoughts of her would surface\u2014memories of a time of youth has long gone.<\/p>\n

And now\u2026 on this side of the world, the cold creeps in, making the grass shiver. I throw on my leather jacket, cigarette in hand, stepping out to my backyard, thinking of her again. My heart stirs as I remember: the light-footed steps, the carefree smile, that sassy little pout, the chatterbox mouth. The way she bullied people with her tearful eyes.<\/p>\n

I light another cigarette and laugh softly, watching the golden leaves drift down. Summer is fading; autumn quietly arrives. The wind whispers through the still trees. In the western sky, a few rays of sunlight linger\u2014illuminating a lone bird searching the horizon.<\/p>\n

Evening drifts quietly into night. I light another cigarette, chasing warmth. Stretching, I stroll slowly down the dry streambed behind the house. The chirping insects call to the dark, stirring something inside me. Why not try Facebook? I think. Maybe I could search her name\u2026 or Chau\u2019s.<\/p>\n

I searched for a long time\u2014nothing. I give up. Step back outside, light another cigarette. The hammock creaks beneath me as I gaze up at the stars. I wonder to myself: \u201cWill I ever see her again?\u201d Time gallops past like a wild horse outside the window. I still believe life has its destined paths\u2014maybe, just maybe, we\u2019ll meet again someday.<\/p>\n

And so, day after day, I keep checking Facebook. Something inside keeps urging me on, humming that old tune: \u201cif there\u2019s ever a next time\u2026\u201d Sometimes I laugh at myself\u2014how foolish I am, chasing an illusion. But my mind keeps drifting, longing to see her again\u2026 even just once.<\/p>\n

When autumn\u2019s leaves filled the yard, I heard news that Chau was still alive. I found out through the Phi Dung Club (a group of former South Vietnamese Air Force veterans). The joy I felt is hard to put into words. The miracle of the internet\u2014old friends, scattered by war, reconnecting after so long.<\/p>\n

Chau told me about her\u2026 and it was sad. \u201cShe had a husband and kids,\u201d he said, \u201cbut now they\u2019ve gone their separate ways. He left her for another woman before their happiness even had the chance to bloom.\u201d My heart ached for her although I’m not too strange to the marriage lifes overseas are full of heartbreaks like that.<\/p>\n

Chau gave me her phone number. \u201cIf you ever need to reach out\u2026 or just call to comfort her. Luckily, she\u2019s not alone since her child is grown along with her and loves her dearly.\u201d<\/p>\n

I nodded hesiately, but inside, I felt a deep sorrow. Maybe it\u2019s better this way… an ocean between us. What could I even do? Help? How?<\/p>\n

All I can do now is just cherish the beautiful memory\u2014the tender thread that brightens my days, even when the Autumn leaves start falling as my remaik=n time. I can only wish her peace and good fortune. That\u2019s all.
\n—–
\n(*) Air Force Pilot
\n<\/br><\/p>\n

Here is the English literary analysis of the prose poem \u201cT\u01b0\u1edfng Ch\u1ec9 L\u00e0 K\u00fd \u1ee8c\u201d (\u201cJust a Memory, I Thought\u201d), translated and adapted in a lyrical, essayistic tone for English-speaking readers:<\/strong><\/em><\/p>\n

Just a Memory, I Thought: <\/strong><\/p>\n

A Reflection on Love, Time, and Longing<\/p>\n

Some memories never age. They linger \u2014 like the scent of late autumn, like the glow of a cigarette in a quiet backyard, like a voice that calls from a time you can no longer return to. \u201cJust a Memory, I Thought\u201d is not merely a piece of nostalgic writing. It is a tender prose poem, a whispered monologue that echoes across decades, stitched with emotion, regret, and a quiet hope that still survives time\u2019s erosion.<\/p>\n

1. A Walk-Through Memory\u2019s Garden<\/strong><\/p>\n

The piece begins with the narrator \u2014 now older, exiled, and alone \u2014 recalling a time before war, before distance, before life\u2019s inevitable separations. In his youth, he once visited a friend\u2019s house, only to meet a spirited little girl who mischievously called him \u201cuncle.\u201d That fleeting moment \u2014 ordinary, seemingly inconsequential \u2014 marked the beginning of an unspoken, undefined affection that would shadow his heart for years.<\/p>\n

Through gentle storytelling, the prose takes the reader back to warm afternoons, playful teasing, innocent demands for candy, and the kind of fondness that isn’t yet love but carries all of its sweetness and ache.<\/p>\n

2. The Little Girl \u2014 More Than a Memory<\/strong><\/p>\n

She\u2019s painted vividly: a cheeky tomboy with a cowlick on her forehead, large eyes full of curiosity, and a mouth quick to pout. Her presence breathes life into the past \u2014 not just as a character, but as a symbol. She embodies youth, innocence, the delicate bud of affection before it fully blossoms into love. Their relationship, bound by playful bickering and subtle intimacy, was never clearly defined \u2014 always \u201cuncle\u201d and \u201cniece,\u201d yet something more shimmering beneath.<\/p>\n

As she grows older, the distance between them grows too \u2014 physically and emotionally. Life moves on. But what remains is the tenderness of those small moments: a shared scarf, a sidelong glance, the weight of unspoken words.<\/p>\n

3. War, Loss, and the Fracturing of Time<\/strong><\/p>\n

Then, as with many stories from Vietnam, war intrudes. The narrator is separated from his homeland, forced to flee. In the chaos, the girl and her family are left behind. He doesn\u2019t see her again. Time moves forward, but memory doesn\u2019t obey such laws.<\/p>\n

Years later, on a cold foreign evening, he lights a cigarette and feels her presence stir again \u2014 not in person, but in memory. Her laughter, her tears, her teasing voice return like a breeze through fallen leaves. His longing is quiet but persistent. He searches for her online, wonders if she remembers, if fate might still allow one final reunion.<\/p>\n

4. No Reunions, Just Reverence<\/strong><\/p>\n

But there is no romantic reunion. Instead, reality returns \u2014 she is married, then separated, now alone with her child. Through a friend, he hears her story and feels a sharp pang of sadness. He cannot help her. The ocean between them is too vast \u2014 both literal and metaphorical. All he can offer is a silent prayer for her peace, and a heart still warmed by the memories of what once was.<\/p>\n

5. A Poem in Prose<\/strong><\/p>\n

The beauty of this piece lies not in dramatic twists or poetic form, but in its stillness. The prose flows like thought \u2014 simple, honest, unadorned. It captures the way memory works: fragmentary, spontaneous, filled with emotion and imagery rather than sequence or logic. Each scene feels like a Polaroid \u2014 faded but vivid in feeling.<\/p>\n

Conclusion: The Memory That Outlived Time<\/strong><\/p>\n

“Just a Memory, I Thought” is a quiet masterpiece \u2014 a meditation on the passage of time, the ache of what-could-have-been, and the enduring warmth of memories that never leave us. It reminds us that some stories, though unfinished, are still beautiful. And some loves, though never spoken aloud, still shape the soul.<\/p>\n

Even if we never meet them again \u2014 even if we never truly had them \u2014 some people live in us forever.<\/p>\n","protected":false},"excerpt":{"rendered":"

M\u1eddi \u0111\u1ecdc b\u00e0i th\u01a1, xin b\u1ea5m v\u00e0o t\u1ef1a \u0111\u1ec1 T\u01b0\u1edfng Ch\u1ec9 L\u00e0 K\u00fd \u1ee8c Ph\u00e2n t\u00edch v\u0103n h\u1ecdc B\u00e0i th\u01a1 v\u0103n xu\u00f4i “T\u01b0\u1edfng Ch\u1ec9 L\u00e0 K\u00fd \u1ee8c” l\u00e0 m\u1ed9t b\u1ee9c tranh ho\u00e0i ni\u1ec7m \u0111\u01b0\u1ee3c k\u1ec3 b\u1eb1ng ng\u00f4n ng\u1eef m\u1ec1m m\u1ea1i, pha ch\u00fat d\u00ed d\u1ecfm, ch\u00fat \u0111au \u0111\u00e1u bu\u1ed3n c\u1ee7a m\u1ed9t ng\u01b0\u1eddi \u0111\u00e0n \u00f4ng h\u1ed3i t\u01b0\u1edfng […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[10,1,17],"tags":[],"_links":{"self":[{"href":"https:\/\/thovanyenson.com\/index.php?rest_route=\/wp\/v2\/posts\/17565"}],"collection":[{"href":"https:\/\/thovanyenson.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thovanyenson.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thovanyenson.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thovanyenson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17565"}],"version-history":[{"count":8,"href":"https:\/\/thovanyenson.com\/index.php?rest_route=\/wp\/v2\/posts\/17565\/revisions"}],"predecessor-version":[{"id":17589,"href":"https:\/\/thovanyenson.com\/index.php?rest_route=\/wp\/v2\/posts\/17565\/revisions\/17589"}],"wp:attachment":[{"href":"https:\/\/thovanyenson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17565"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thovanyenson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17565"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thovanyenson.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17565"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}